Here the duo
of Matt Martin and Ken Varner play Variation on the theme from "The Beverly Hillbillies" (see lyrics below) on the Sledola
da Gamba and the Whang-jo. They also performed "Grandfather's Clock." (Photo by Grant Halverson/Chapel Hill News)
"Now here's a little story 'bout a Freshman Seminar
in the form of a song on which I've worked so long and hard.
I wanted y'all to hear it--so here it go
with Sledola da Gamba and this whacky Whangjo...
...accompaniment, that is, stringed instruments, homemade...
Well, throughout the semester we've been learnin' lots of things,
building instruments like winds, building instruments with strings;
made of stuff like sleds and bottles of Snapple,
the crazy things you think of as a student at Chapel...
...Hill, that is, the southern part of heaven, UNC...
So thanks to Mr. Wissick and Dr. McNeil,
we've combined knowledge from two very different fields--
It wasn't always easy but at least we all had fun,
and with that said I guess that I'm done...
Y'all come back next year now, ya hear?"
Adam Miller
explains the characteristics of his Cello-oar before performing his composition, "Baa, Baa Black Sheep."
Photo by Dan Sears/UNC News Bureau
Catherine
Carter and Anne Catherine Kruger prepare to play their compositions "Sine Forma" and "Lullaby" for
Sewage Flute and Flexi-Panpipes.
Photo by Dan Sears/UNC News Bureau
Jennie Davis plays
her composition for solo Scytheridu with Caveman Guitar accompaniment.
Photo by Bill Willcox/Herald-Sun Photos
Bluesman John
Kurtz plays the Skatar. He played two duets with Ben Mappen.
Photo by Dan Sears/UNC News Bureau
Prof. Wissick
(left) and
Prof. McNeil (right)
enjoy the concert.
Photo by Dan Sears/UNC News Bureau (left)
Photo by Grant Halverson/Chapel Hill News (right)
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